The Olympic cauldron is a lampstand that compares to the menorah in the temple that is described in Exodus 25:31-39. The light of Zeus is cast from before this lampstand into a vast temple like a spell that is cast from a sorcerer's cauldron, darkly illuminating those within it's domain. To understand the nature of the cauldron you should understand the nature of the genuine lampstand it mimics as a counterfeit. The menorah of Exodus 25 was made as every other attribute of the temple, according a very specific heavenly pattern.
"And see thou and do [them] by their pattern which thou art shewn in the mount."
Exodus 25:40 (YLT)
The principle is that the tabernacle and temple model greater realities, what's in heaven, spiritual truths. Pagans acknowledge the principle by saying, "As above, so below." The Olympic cauldron designs are made according to patterns shown to their builders "in the mount," so to speak, by their familiar spirit guides. If you think their designs are merely whimsical fashions you just don't understand the way of the occult and neither have you grasped just how important the light of the Olympic flame is to the master plan. The cauldron is a three dimensional symbol whose meaning and power complements and supports that of the flame and its light.
"The psychological mechanism that transforms energy is the symbol." (Carl Jung)
"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" (popular manual for witchcraft))
The form of the Vancouver cauldrons is that of a pyramid. Pyramid structures are formed when, from a square base, each side rises to meet at a central point. You may not have recognized the cauldron as a pyramid because it's been obfuscated somewhat. Obfuscation is the customary practice of the occult, which is to hide a thing but not so much as to make it unrecognizable by those who know what to look for. While there are no visible sides in the structure as built you can imagine them as the planes that intersect the legs.
The pyramid, of course, is a very common occult symbol. It is seen from any side angle as the upward pointing delta that signals the heavenly sons of god. The pyramid structure represents a temple that in the occult view is for the worship of the many-named god Lucifer.
If you pause to consider the Vancouver cauldron as a pyramid with a Luciferian glow on top you should begin to recognize a familiar image. Can you picture a capstone with each corner of its square base resting on a horizontal-topped leg? The light of its flames emanates from this capstone. Consider the great seal and the eye within the glowing capstone. Uh-huh. Isn't that a coincidence? Uh, NO!
A passage of scripture presented in the last post is striking, given the insight connecting the Vancouver cauldron with the seal's infamous pyramid.
33) No one lights a lamp and puts it in a place where it will be hidden, or under a bowl. Instead he puts it on its stand, so that those who come in may see the light.
34) Your eye is the lamp of your body. When your eyes are good, your whole body also is full of light. But when they are bad, your body also is full of darkness.
35) See to it, then, that the light within you is not darkness.
36) Therefore, if your whole body is full of light, and no part of it dark, it will be completely lighted, as when the light of a lamp shines on you.
Luke 11:33-36
Got chills? This is profound, isn't it? The pyramid of the occult iconography and the Vancouver cauldron that is built on the same model should be understood according to the revelation of verse 34. The capstone eye is the lamp of the pyramid body. What is recognized as the all seeing eye of Horus, Osiris or Apollo can be considered as the bad eye of verse 34 whose body also is full of darkness. The capstone's Luciferian glow and the light from the Olympic flame is Luke 11:35's light that is darkness.
The pyramid on which the capstone sits is the many membered body on which the head sits with its eye. With its eye as the lamp of the body, this pyramidal cauldron is the lampstand in the vast temple described in the Olympic hymn. This lampstand, with its flame that was ritually acquired from the heavens on Mt. Olympus, casts the light of Zeus that is darkness, from the bad eye that is the lamp of its body, before the temple in which it has now been installed; Vancouver, British Columbia.
When you become aware of the curse that is upon Vancouver through the demonic agency of the flame and cauldron you have to see how the domain of the cursed Olympic flame truly extends far beyond. The people who attended the games and were directly within the temple lit by the flame (as the living stones (1 Peter 2:5-9) of the spiritual house of antichrist) have returned to their homes that are all over the world. Consider how the light of the flame has been seen globally by millions during the games through the visual media of television and how it continues to be seen in video published on the Web. Add to this what relates to the flame lighting and torch relay. Multiply this by how many Olympic events in recent years have featured such a flame and you will realize how this iconic imagery of the Olympic flame has come to be burned into the minds of so many of us today. Oh, and, uh, how popular and familiar is the imagery on the ubiquitous dollar bill? If curses are real, and, yes, they really are, this situation has to be recognized for its role in preparing the world for the day when Apollo, son of Zeus, ascends to his appointed throne.
The book of Revelation presents a scene that those indoctrinated into Olympism must perceive as the greater pyramid of the great seal's Masonic iconography and Vancouver cauldron. This view is of "spanning the globe," in the words that so many of us associate with the "wide world" of sports and the Olympics through the voice of Jim McKay, who covered 12 games.
1) After this I saw FOUR ANGELS STANDING AT THE FOUR CORNERS OF THE EARTH, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree.
2) And I saw another angel ASCENDING FROM THE RISING OF THE SUN, HAVING THE SEAL OF THE LIVING GOD; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea,
3) saying, "Do not harm the earth or the sea or the trees until we have SEALED THE BOND-SERVANTS OF OUR GOD ON THEIR FOREHEADS."
Revelation 7:1-3
Aleister Crowley, the man who prided himself on being popularly labeled as "the wickedest man in the world," understood spells and curses. He strived to promote all things evil and publish it abroad. In this famous photograph, does the glowing eye of the pyramid capstone appear over his forehead merely for the sake of whimsical fashion? These are the elements of Revelation 7, are they not? Does the logo for PositiveID, the microchip implant company, combine the imagery of a glowing serpent's eye with a pyramid atop the globe of the earth at the rising of the sun for naught? Connect the dots. Be wise as serpents and harmless as doves. There is a Satanic conspiracy afoot and the dark light-bearer's goal is in sight.
For yet another example, consider the pop diva Lady Gaga and her homage to Crowley, whose logo you see here with the headless body of Zeus/capstone-less pyramid. She famously has an obsession with eyes, frequently drawing attention to one at a time. Gaga, by the way, is the name of a Babylonian/Assyrian deity. See "The Religion of Babylonia and Assyria" by Morris Jastrow. Use the book search feature at that link to find instances of "gaga."
I'm about ready to address the three-legged construction formed on opening night. To understand the meaning you have to see the Vancouver cauldron as a symbol of the human body. I already identified the lampstand as a temple and as a body. It represents both a collective "many membered" body and an individual body of flesh. Of the latter it's also the DNA at the cellular level. You will not see in the image of the cauldron either the form of the human body (which you do in the Vancouver 2010 logo's inunnguaq) or the helical ladder form of DNA (as you can in the triple helix cauldron of the 2002 Winter Olympics in Salt Lake City, Utah). However, when you consider the component elements of the cauldron as the ice crystals they resemble you can relate the structure to crystalline DNA.
The crystalline cauldron represents the crystalline DNA of the body. While I'm not aware of any plans for a four strand structure, one with three strands is another matter altogether! With three strands the cauldron presents the triple helix DNA model I've been teaching about through an extended series of posts. Yes, it's yet another occult testimony about transforming man into a hybrid god-man, a creature that will be found no longer in the image of his Creator but rather in the image of the serpent. If you understand the symbolic closing ceremonies of the Beijing Olympics you know full well the Olympics are all about promoting procreation with the gods and bringing forth hybrid offspring. The host facilities can be flooded with bazillions of condoms and it won't diminish the baby boom-ish numbering of spiritual children conceived by even one!
So, the fact is that a three-legged crystal was formed on opening night as the central focus of ceremonial ritual in BC Place! The drama created by the apparent "failure" of one a fourth leg to rise into place brought added attention to the image created. This imagery was recreated during the closing ceremonies in such a way as to make it one of the stand-out memories of the Vancouver 2010 Olympics. Could the focus of attention on an illuminating three legged crystalline body-temple have been unintentional? Sure. Was it? I think not.
Having now addressed one of the messages signaled by the Olympic cauldron's "technical malfunction," Lord willing, I'll address the other in the next post.
Reference: way-of-witch.blogspot.com
